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Editor's Note
Dance Research Journal  (IF),  Pub Date : 2020-12-01, DOI: 10.1017/s0149767720000443
Helen Thomas

This final issue of this turbulent year across the globe contains a mixed set of articles, the first three of which address theories and practices to be found in “dance and . . .” through time from the late 1960s, the 1970s, and 2016. The following three articles turn the clock back again to consider particular features of American modern dance, then Ballet Russes and blackface, and Genevieve Stebbins in the period of “the Gilded Age” whom, it is argued, is envisioned as the “new” dancer.