Example：10.1021/acsami.1c06204 or Chem. Rev., 2007, 107, 2411-2502
Conceptual Systems: The Dances, Music, and Drawings of Laura Dean Dance Research Journal (IF), Pub Date : 2020-12-29, DOI: 10.1017/s0149767720000340 Elliot Gordon Mercer
Laura Dean's creative output in minimalist art spans interconnected work in dance, music, and drawing. Throughout the early 1970s, Dean represented her compositional structures as works on paper, which present an expanded visualization of her artistic experimentation with color, symmetry, repetition, and form. Dean rejects the reconstruction of her performance works, instead she advances a notion of dances as impermanent. Situating Dean in the context of serial and conceptual art in which the material art object is deemphasized in favor of communicating compositional logic, I argue that Dean presents a choreographic legacy premised on the intentional disappearance of her work in favor of perpetuating ideation and concept.